    The Project Gutenberg EBook of The Cowslip, by Anonymous

    This eBook is for the use of anyone anywhere at no cost and with
    almost no restrictions whatsoever.  You may copy it, give it away or
    re-use it under the terms of the Project Gutenberg License included
    with this eBook or online at www.gutenberg.org

    Title: The Cowslip
           Or More Cautionary Stories, in Verse

    Author: Anonymous

    Release Date: March 31, 2014 [EBook #45275]

    Language: English

    Character set encoding: ASCII

    *** START OF THIS PROJECT GUTENBERG EBOOK THE COWSLIP ***

    Produced by David Widger from page images generously
    provided by the Internet Archive

# THE COWSLIP,

### Or More Cautionary Stories, In Verse.

## By Anonymous

#### Original

CONTENTS

## I. The New Book.

A neat little Book, full of pictures was bought

For a good little girl that was glad to be taught;

She read all the tales, and then said to her mother,

I'll lend this new book to my dear little brother.

He shall look at the pictures and find O and I,

I'm sure he won't tear it he's such a good boy.

Oh no, brother Henry knows better, indeed;

Although he's too young, yet, to spell and to read.

#### Original

## II. The Truant.

Children, who delight to ramble,

When it is not holiday,

And o'er hedge and ditch to scramble,

All for love of truant play;

Must have tasks and lessons double,

To make up for time misspent,

And, besides this double trouble,

Must have proper punishment.

#### Original

## III. Filial Love.

Miss Jane's Mamma was very ill,

And felt such pain she could not sleep,

And Jane would quietly sit still,

Or sometimes through the curtains peep.

And often as she left the bed,

The tear of sweet affection fell,

And going from the room she said,

"I wish my dear mamma were well."

#### Original

## IV. Breakfast.

That I did not see Frances just now I am glad:

For Winifred says, she look'd sullen and sad.

When I ask her the reason I know very well,

That Frances will blush the true reason to tell.

And I never again shall expect to hear said,

That she pouts at her milk with a toast of white

bread;

When both are as good as can possibly be,

Though Betsy, for breakfast, perhaps may have

tea.

#### Original

## V. The Sash.

Mamma had ordered Ann, the maid,

Miss Caroline to wash;

And put on, with her clean white frock,

A handsome muslin sash.

But Caroline began to cry,

For what you cannot think:

She said, "O that's an ugly sash,

"I'll have my pretty pink."

Papa, who in the parlour heard

Her make the noise and rout,

That instant went to Caroline,

To whip her there's no doubt.

#### Original

## VI. Listen to Reason.

One afternoon, as Joseph West,

The boy who learnt his lesson best, *

Was trying how his whip would crack,

By chance hit Headstrong on the back.

         * See the Daisy, Story vi.

Enrag'd he flew and gave poor Joe,

With all his might a sudden blow:

Nor would he listen to one word,

When Joe endeavoured to be heard.

Joe, finding him resolved to fight,

For what was accidental quite,

Although he never fought before,

Beat Headstrong till he'd have no more.

#### Original

## VII. The Crying Child.

O fie! Master Edward! I feel much surprise,

And am really ashamed of those tears and

this noise.

Do you know by your crying how sadly you pain

Your mother, altho' you've no cause to complain?

And can you forget that, when sick on her knee,

How she nurs'd you and gave you sweet tamarind

tea?

A rod is the very best thing to apply

When Children are crying, and cannot tell why:

Unless they are babes in the cradle so young,

That they are not yet able to speak with their

tongue.

#### Original

## VIII. The Purloiner.

As Joe was at play,

Near the cupboard one day,

When he thought no one saw but himself,

How sorry I am,

He ate raspberry jam,

And currants that stood on the shelf.

His mother and John

To the garden had gone,

To gather ripe pears and ripe plums;

What Joe was about,

His mother, found out,

When she look'd at his fingers and thumbs.

And when they had din'd,

Said to Joe, "you will find,

"It is better to let things alone;

"These plums and these pears,

"No naughty boy shares,

"Who meddles with fruit not his own."

#### Original

## IX. Going to School,

Good children when they're sent to school,

Will never loiter on the way:

With them this is a constant rule,

And not to stop to stare and play.

They never speak to any one,

Who talks when he should mind his task,

For Dunces frequently have on

A very black and frightful mask.

But when they've been at school all day,

Their tasks and lessons finish'd; then

Their friends will give them leave to play,

When they return from school again.

#### Original

## X. The Bird-catcher.

The cat's in the window and Shock's at the door:

The pussy-cat mews and the little dog barks;

For, see, such a sight as I ne'er saw before,

A boy with a cage full of linnets and larks!

And pussy the way how to catch them is seeking,

To kill them, and spoil all their singing, poor

things;

For singing to them is like little boys speaking;

But fear makes them chirrup and flutter their

wings.

Do not fear pretty birds! for puss shall not eat you.

Go, go, naughty puss! away out of sight.

With crumbs of good bread pretty birds we will

treat you,

And give you fresh water both morning and night.

#### Original

## XI. Improper Words.

Who was it that I lately heard,

Repeating an improper word 7

I do not like to tell his name,

Because he is so much to blame.

Go, naughty child! and hide your face,

I grieve to see you in disgrace;

Go, you have forfeited to-day,

All right at trap and ball to play.

At dinner time there is no place

For boys who merit deep disgrace;

Such naughty boys I can't permit,

With children who are good to sit.

And when at night you go to bed,

The third commandment shall be read;

For there we find how very wrong

It is to have a faulty tongue.

#### Original

## XII. The Cruel Boy.

Jack Parker was a cruel boy,

For mischief was his sole employ;

And much it griev'd his friends to find,

His thoughts so wickedly inclin'd.

He thought it clever to deceive,

And often ramble without leave;

And every animal he met,

He dearly lov'd to plague and fret.

But all such boys unless they mend,

May come to an unhappy end;

Like Jack who got a fractur'd skull,

Whilst bellowing at a furious bull.

#### Original

## XIII. The Worm.

As Sally sat upon the ground,

A little crawling worm she found,

Among the garden dirt;

And when she saw the worm, she scream'd,

And ran away and cried,

As if she had been hurt.

Mamma afraid some serious harm

Made Sally scream, was in alarm,

And left the parlour then;

But when the cause she came to learn,

She bade her daughter back return,

To see the worm again.

The worm they found kept writhing round,

Until it sunk beneath the ground,

And Sally learn'd that day,

That worms are very harmless things,

With neither teeth, nor claws, nor stings,

To frighten her away.

#### Original

## XIV. The Good Girl.

Lydia Banks though very young,

Will never do what's rude or wrong,

When spoken to, she always tries

To give the most polite replies.

Observing what at school she's taught,

She turns her toes as children ought;

And when return'd at night from school,

She never lolls on chair or stool.

Some children, when they write, we know

Their ink about them, heedless, throw;

But she, though young, has learn'd to think

That clothes look spoil'd with spots of ink.

Perhaps some little girl may ask,

If Lydia always learns her task;

With pleasure I can answer this,

Because with truth I answer "Yes."

#### Original

## XV. Susan and Patty.

Oh! sister Susan! come, pray come,

And see how I have cut my thumb,

Cried little Patty Green;

It bleeds, it bleeds, what shall I do?

This knife has cut my finger too;

How naughty I have been!

My mother only yesterday,

I know, desired me not to play,

With knives so sharp and keen;

Oh dear, oh dear, what shall I do?

My father will be angry too,

I dare not now be seen!

Miss Susan said, I tell you what

We both will do, my dearest Pat,

I'll fetch a little salt;

And tie this piece of riband round,

And when we've cover'd up the wound,

Pray tell mamma the fault.

## XV. Susan and Patty. (continued.)

I think she'll not be angry much,

If you will promise not to touch

The things she has forbid;

Miss Patty thought her sister right,

And crept into her mother's sight,

Expecting to be chid;

But when her mother heard her say,

Dear mother do forgive me, pray,

I'll not touch knives again;"

She kiss'd her darling girls, and put

A little plaister on each cut,

Which soon reliev'd the pain.

#### Original

## XVI. The Dunce.

Mss Bell was almost seven years old,

A shame to tell indeed!

But when the real truth is told,

She scarce could spell or read.

She went to school and tore her book,

But never tried to learn;

Sometimes at pictures she would look,

And turn the leaves, and turn.

Her needles and her thread she lost,

And often was without;

For though she knew how much they cost,

She left them all about.

But very much she was disgrac'd

Deservedly at school;

She wore an ugly mask, while plac'd

Upon the dunce's stool.

#### Original

## XVII. At Church.

AT church last Sunday afternoon,

There was a naughty boy;

Who talk'd and play'd,

And noises made,

And would go home too soon,

And made pretence to cry.

His sister, whom he sadly teas'd,

Was forc'd to take him out;

And kindly said,

My dearest Ned,

Papa will be displeas'd,

To hear of this no doubt.

"But I will promise not to tell,

This time, if you'll be good,

And sit quite still."

Ned said, '' I will;"

And Ned has since behaved as well,

As little children should.

#### Original

## XVIII. The Hoyden.

Miss Agnes had two or three dolls, and a box

To hold all their bonnets and tippets and

frocks;

In a red leather threadcase that snapp'd when it

shut,

She had needles to sew with, and scissars to cut;

But Agnes lik'd better to play with rude boys,

Than work with her needle, or play with her toys;

Young ladies should always appear neat and clean,

Yet Agnes was seldom dress'd fit to be seen.

I saw her one morning attempting to throw

A very large stone, when it fell on her toe;

The boys who were present, and saw what-was

done,

Set up a loud laugh, and they call'd it fine fun.

But I took her home and the doctor soon came,

And Agnes I fear will a long time be lame,

And from morning till night, she laments very

much,

That now when she walks, she must lean on a

crutch,

And she told her dear father, a thousand times

o'er,

That she never will play with rude boys any more.

#### Original

## XIX. The Greedy Boy.

Sammy Smith would drink and eat

From morning unto night;

He fill'd his mouth so full of meat,

It was a shameful sight.

Sometimes he gave a book or toy,

For apple, cake, or plum;

And grudg'd if any other boy

Should taste a single crumb.

Indeed he ate and drank so fast,

And us'd to stuff and cram,

The name they call'd him by at last,

Was often Greedy Sam.

#### Original

## XX. Disappointment.

Mamma shall we visit Miss Hammond to-day?

As seated at breakfast, exclaim'd little Ann:

The morning is fine, and the sun's very bright;

And I hope you will go, dear Mamma, if you can;

For I've felt so much pleasure to think of the play

I shall have at her house all the time that we stay,

That I've scarcely been able to sleep all the night.

So earnest was Ann in her wish to go out,

That when she was silent her looks seem'd to ask;

And to coax her mamma, then she climb'd on

her knee,

And kiss'd her and promis'd to learn all her task,

They went and Miss Ann was delighted no doubt,

Till she found Mr. Hammond confin'd by the gout,

And his daughter from home, that she wanted to

see.

Now homeward returning Ann said with a sigh,

Mamma, how unlucky our visit to-day;

I expected such pleasure to meet with Annette;

She is always so kind and good humour'd at play,

And I'm so disappointed I'm ready to cry.

Her mamma made a soothing and tender reply,

And taught her to bear what's in vain to regret.

#### Original

## XXI. Drawing Teeth.

Miss Lucy Wright, though not so tall,

Was just the age of Sophy Ball;

But I have always understood,

Miss Sophy was not half so good;

For as they both had faded teeth,

Their teacher sent for Doctor Heath;

But Sophy made a dreadful rout,

And would not have hers taken out;

But Lucy Wright endured the pain,

Nor did she ever once complain,

Her teeth return'd quite sound and white,

Whilst Sophy's ach'd both day and night.

#### Original

## XXII. Look at your Copy.

'|When Frances goes to school, to write,

I find, with great concern,

She never takes the least delight

To really strive to learn.

Some lines she makes are much too short,

And some she makes too long;

The copy's seldom where it ought,

Which makes her write quite wrong.

Such negligence I always see

With very great concern;

And think what pleasure there would be

To see her daily learn!

#### Original

## XXIII. Envy, a Fable.

A Parrot that liv'd at a gentleman's house,

Could chatter and sometimes lie still as a

mouse.

He was hung at the door in a cage that was gay,

And treated with plenty one fine sunny day,

When the Cat, thro' mere envy, was thus heard

to say,

Pray, sir, do you live on these excellent things,

Because you're a bird, and have feathers and wings?

If a Cat is in want of a dinner that's nice,

She must hunt in the garret or cellar for mice.

The Parrot, observing the Cat in a rage,

Said, pray Mrs. Puss, are you fond of a cage;

Should you like to be kept in a prison like me,

And never permitted your neighbours to see?

Depriv'd of all means of assisting yourself,

Though numberless dainties in sight on the shelf?

Should you like to be fed at the will of a master,

And die of neglect or some cruel-disaster?

You cannot believe it more happy to be,

A parrot encaged, than a cat and quite free.

The cat was convinced that this reasoning was true,

And, ashamed of her envy, in silence withdrew.

#### Original

## XXIV. The Letter.

When Sarah's papa was from home a great way,

She attempted to write him a letter one day!

First ruling the paper, an excellent plan;

In all proper order Miss Sarah began.

She said "She lamented sincerely to tell,

That her dearest mamma had been very unwell,

That the story was long, but that when he came

back,

He would hear of the shocking behaviour of Jack."

Though an error or two we by chance may detect,

It was better than treating papa with neglect;

For Sarah, when older, we know will learn better,

And write single I, with a capital letter.

#### Original

## XXV. Honour.

As Dick and Bryan were at play

At trap, it came to pass,

Dick struck the ball so far away,

He broke a pane of glass.

Though much alarm'd, they did not run,

But walk'd up to the spot;

And offer'd for the damage done;

What money they had got.

When accidents like this arise,

Dear children! this rely on,

All honest, honourable boys

Will act like Dick and Bryan.

#### Original

## XXVI. Dancing.

O dear, I must wear my red slippers to-day,

And where are my gloves, and my parasol,

pray?

I'm always delighted when Friday is come,

For I like dancing better than staying at home.

But my mother says dancing was never design'd,

To be to positions and stepping confin'd,

But dancing should teach us in every place,

When standing or walking to do it with grace.

#### Original

## XXVII. The Sensitive Figure.

Dear Uncle! whisper'd William Brown,

Pray will you give me half-a-crown,

I've seen a very curious toy,

I want to buy.

Charles Mansfield laid it on his hand,

And seemingly, at his command

It mov'd as though his voice were known,

And tumbled down.

His uncle said, to gain this prize,

You first must do your exercise:

When that's correct, you then shall buy

This curious toy.

#### Original

## XXVIII. The Daisy.

Papa, said Eugene, is a daisy a book?

I thought it was only a flower;

Just now I ran down in the meadow, and look,

I have found one all wet with a shower.

A book would be spoil'd, you know, left in the

rain;

And could not be read for the dirt?

But a daisy all day in the wet may remain,

Without in the least being hurt.

You are right, said papa, with a smile, but you'll

find

The Daisy a book, my boy, too,

Containing short tales for the juvenile mind,

And adapted for children like you.

And call'd as it is by so humble a name,

This hint indirectly conveys;

Like the flow'ret it spreads, unambitious of fame,

Nor intrudes upon critical gaze.

#### Original

## XXIX. Quarrelsome Children.

THE currants were ripe, and the gooseberries red,

And very few strawberries left on their bed:

Sweet blossoms and buds were beginning to shoot,

And some were decaying and changing to fruit.

When Charlotte and George in the garden were

seen,

To walk hand in hand where the gravel was clean,

How pleasing to see them good humoured and

merry;

Their cheeks had the bloom of the rose or the

cherry.

When a butterfly roving, that George chanc'd to

see,

Made these happy children at length disagree:.

For he, quite delighted, did all in his power

To catch it when perch'd on a beautiful flower;

And Charlotte his sister was angry at that,

And stopp'd little George, and ran off with his hat.

Quarrelsome Children.

(continued.)

To their mother at last in the parlour they ran,

And noisily speaking together began,

"George shan't catch the butterfly, I'm sure of

that."

"I will catch the butterfly; give me my hat!"

Such quarrelsome children, the mother replied,

I find it much better all day to divide:

Go, stand in that corner, and George do you stand

In another, and each hold a rod in your hand.

Though both had been naughty, 'tis proper to say,

They did not their mother's commands disobey:

They went to their corners and own'd before long,

For brother and sister to quarrel is wrong.

#### Original

## XXX. The Hymn.

To thee, Almighty God! I raise

My heart and voice in prayer and praise;

I ask of thee, in humble prayer,

That thou wilt keep me in thy care.

I beg for grace, that I may shun,

All thou forbiddest to be done:

And ever doing what is right,

Be blest in thy protecting sight.

Almighty Lord! O let me prove

My adoration and my love,

By walking in thy holy way,

For ever more, O Lord! I pray.

    End of the Project Gutenberg EBook of The Cowslip, by Anonymous

    *** END OF THIS PROJECT GUTENBERG EBOOK THE COWSLIP ***

    ***** This file should be named 45275-h.htm or 45275-h.zip *****
    This and all associated files of various formats will be found in:
            http://www.gutenberg.org/4/5/2/7/45275/

    Produced by David Widger from page images generously
    provided by the Internet Archive

    Updated editions will replace the previous one--the old editions
    will be renamed.

    Creating the works from public domain print editions means that no
    one owns a United States copyright in these works, so the Foundation
    (and you!) can copy and distribute it in the United States without
    permission and without paying copyright royalties.  Special rules,
    set forth in the General Terms of Use part of this license, apply to
    copying and distributing Project Gutenberg-tm electronic works to
    protect the PROJECT GUTENBERG-tm concept and trademark.  Project
    Gutenberg is a registered trademark, and may not be used if you
    charge for the eBooks, unless you receive specific permission.  If you
    do not charge anything for copies of this eBook, complying with the
    rules is very easy.  You may use this eBook for nearly any purpose
    such as creation of derivative works, reports, performances and
    research.  They may be modified and printed and given away--you may do
    practically ANYTHING with public domain eBooks.  Redistribution is
    subject to the trademark license, especially commercial
    redistribution.

    *** START: FULL LICENSE ***

    THE FULL PROJECT GUTENBERG LICENSE
    PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

    To protect the Project Gutenberg-tm mission of promoting the free
    distribution of electronic works, by using or distributing this work
    (or any other work associated in any way with the phrase "Project
    Gutenberg"), you agree to comply with all the terms of the Full Project
    Gutenberg-tm License available with this file or online at
      www.gutenberg.org/license.

    Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
    electronic works

    1.A.  By reading or using any part of this Project Gutenberg-tm
    electronic work, you indicate that you have read, understand, agree to
    and accept all the terms of this license and intellectual property
    (trademark/copyright) agreement.  If you do not agree to abide by all
    the terms of this agreement, you must cease using and return or destroy
    all copies of Project Gutenberg-tm electronic works in your possession.
    If you paid a fee for obtaining a copy of or access to a Project
    Gutenberg-tm electronic work and you do not agree to be bound by the
    terms of this agreement, you may obtain a refund from the person or
    entity to whom you paid the fee as set forth in paragraph 1.E.8.

    1.B.  "Project Gutenberg" is a registered trademark.  It may only be
    used on or associated in any way with an electronic work by people who
    agree to be bound by the terms of this agreement.  There are a few
    things that you can do with most Project Gutenberg-tm electronic works
    even without complying with the full terms of this agreement.  See
    paragraph 1.C below.  There are a lot of things you can do with Project
    Gutenberg-tm electronic works if you follow the terms of this agreement
    and help preserve free future access to Project Gutenberg-tm electronic
    works.  See paragraph 1.E below.

    1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
    or PGLAF), owns a compilation copyright in the collection of Project
    Gutenberg-tm electronic works.  Nearly all the individual works in the
    collection are in the public domain in the United States.  If an
    individual work is in the public domain in the United States and you are
    located in the United States, we do not claim a right to prevent you from
    copying, distributing, performing, displaying or creating derivative
    works based on the work as long as all references to Project Gutenberg
    are removed.  Of course, we hope that you will support the Project
    Gutenberg-tm mission of promoting free access to electronic works by
    freely sharing Project Gutenberg-tm works in compliance with the terms of
    this agreement for keeping the Project Gutenberg-tm name associated with
    the work.  You can easily comply with the terms of this agreement by
    keeping this work in the same format with its attached full Project
    Gutenberg-tm License when you share it without charge with others.

    1.D.  The copyright laws of the place where you are located also govern
    what you can do with this work.  Copyright laws in most countries are in
    a constant state of change.  If you are outside the United States, check
    the laws of your country in addition to the terms of this agreement
    before downloading, copying, displaying, performing, distributing or
    creating derivative works based on this work or any other Project
    Gutenberg-tm work.  The Foundation makes no representations concerning
    the copyright status of any work in any country outside the United
    States.

    1.E.  Unless you have removed all references to Project Gutenberg:

    1.E.1.  The following sentence, with active links to, or other immediate
    access to, the full Project Gutenberg-tm License must appear prominently
    whenever any copy of a Project Gutenberg-tm work (any work on which the
    phrase "Project Gutenberg" appears, or with which the phrase "Project
    Gutenberg" is associated) is accessed, displayed, performed, viewed,
    copied or distributed:

    This eBook is for the use of anyone anywhere at no cost and with
    almost no restrictions whatsoever.  You may copy it, give it away or
    re-use it under the terms of the Project Gutenberg License included
    with this eBook or online at www.gutenberg.org

    1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
    from the public domain (does not contain a notice indicating that it is
    posted with permission of the copyright holder), the work can be copied
    and distributed to anyone in the United States without paying any fees
    or charges.  If you are redistributing or providing access to a work
    with the phrase "Project Gutenberg" associated with or appearing on the
    work, you must comply either with the requirements of paragraphs 1.E.1
    through 1.E.7 or obtain permission for the use of the work and the
    Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
    1.E.9.

    1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
    with the permission of the copyright holder, your use and distribution
    must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
    terms imposed by the copyright holder.  Additional terms will be linked
    to the Project Gutenberg-tm License for all works posted with the
    permission of the copyright holder found at the beginning of this work.

    1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
    License terms from this work, or any files containing a part of this
    work or any other work associated with Project Gutenberg-tm.

    1.E.5.  Do not copy, display, perform, distribute or redistribute this
    electronic work, or any part of this electronic work, without
    prominently displaying the sentence set forth in paragraph 1.E.1 with
    active links or immediate access to the full terms of the Project
    Gutenberg-tm License.

    1.E.6.  You may convert to and distribute this work in any binary,
    compressed, marked up, nonproprietary or proprietary form, including any
    word processing or hypertext form.  However, if you provide access to or
    distribute copies of a Project Gutenberg-tm work in a format other than
    "Plain Vanilla ASCII" or other format used in the official version
    posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
    you must, at no additional cost, fee or expense to the user, provide a
    copy, a means of exporting a copy, or a means of obtaining a copy upon
    request, of the work in its original "Plain Vanilla ASCII" or other
    form.  Any alternate format must include the full Project Gutenberg-tm
    License as specified in paragraph 1.E.1.

    1.E.7.  Do not charge a fee for access to, viewing, displaying,
    performing, copying or distributing any Project Gutenberg-tm works
    unless you comply with paragraph 1.E.8 or 1.E.9.

    1.E.8.  You may charge a reasonable fee for copies of or providing
    access to or distributing Project Gutenberg-tm electronic works provided
    that

    - You pay a royalty fee of 20% of the gross profits you derive from
         the use of Project Gutenberg-tm works calculated using the method
         you already use to calculate your applicable taxes.  The fee is
         owed to the owner of the Project Gutenberg-tm trademark, but he
         has agreed to donate royalties under this paragraph to the
         Project Gutenberg Literary Archive Foundation.  Royalty payments
         must be paid within 60 days following each date on which you
         prepare (or are legally required to prepare) your periodic tax
         returns.  Royalty payments should be clearly marked as such and
         sent to the Project Gutenberg Literary Archive Foundation at the
         address specified in Section 4, "Information about donations to
         the Project Gutenberg Literary Archive Foundation."

    - You provide a full refund of any money paid by a user who notifies
         you in writing (or by e-mail) within 30 days of receipt that s/he
         does not agree to the terms of the full Project Gutenberg-tm
         License.  You must require such a user to return or
         destroy all copies of the works possessed in a physical medium
         and discontinue all use of and all access to other copies of
         Project Gutenberg-tm works.

    - You provide, in accordance with paragraph 1.F.3, a full refund of any
         money paid for a work or a replacement copy, if a defect in the
         electronic work is discovered and reported to you within 90 days
         of receipt of the work.

    - You comply with all other terms of this agreement for free
         distribution of Project Gutenberg-tm works.

    1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
    electronic work or group of works on different terms than are set
    forth in this agreement, you must obtain permission in writing from
    both the Project Gutenberg Literary Archive Foundation and Michael
    Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
    Foundation as set forth in Section 3 below.

    1.F.

    1.F.1.  Project Gutenberg volunteers and employees expend considerable
    effort to identify, do copyright research on, transcribe and proofread
    public domain works in creating the Project Gutenberg-tm
    collection.  Despite these efforts, Project Gutenberg-tm electronic
    works, and the medium on which they may be stored, may contain
    "Defects," such as, but not limited to, incomplete, inaccurate or
    corrupt data, transcription errors, a copyright or other intellectual
    property infringement, a defective or damaged disk or other medium, a
    computer virus, or computer codes that damage or cannot be read by
    your equipment.

    1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
    of Replacement or Refund" described in paragraph 1.F.3, the Project
    Gutenberg Literary Archive Foundation, the owner of the Project
    Gutenberg-tm trademark, and any other party distributing a Project
    Gutenberg-tm electronic work under this agreement, disclaim all
    liability to you for damages, costs and expenses, including legal
    fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
    LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
    PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
    TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
    LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
    INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
    DAMAGE.

    1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
    defect in this electronic work within 90 days of receiving it, you can
    receive a refund of the money (if any) you paid for it by sending a
    written explanation to the person you received the work from.  If you
    received the work on a physical medium, you must return the medium with
    your written explanation.  The person or entity that provided you with
    the defective work may elect to provide a replacement copy in lieu of a
    refund.  If you received the work electronically, the person or entity
    providing it to you may choose to give you a second opportunity to
    receive the work electronically in lieu of a refund.  If the second copy
    is also defective, you may demand a refund in writing without further
    opportunities to fix the problem.

    1.F.4.  Except for the limited right of replacement or refund set forth
    in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
    WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
    WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

    1.F.5.  Some states do not allow disclaimers of certain implied
    warranties or the exclusion or limitation of certain types of damages.
    If any disclaimer or limitation set forth in this agreement violates the
    law of the state applicable to this agreement, the agreement shall be
    interpreted to make the maximum disclaimer or limitation permitted by
    the applicable state law.  The invalidity or unenforceability of any
    provision of this agreement shall not void the remaining provisions.

    1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
    trademark owner, any agent or employee of the Foundation, anyone
    providing copies of Project Gutenberg-tm electronic works in accordance
    with this agreement, and any volunteers associated with the production,
    promotion and distribution of Project Gutenberg-tm electronic works,
    harmless from all liability, costs and expenses, including legal fees,
    that arise directly or indirectly from any of the following which you do
    or cause to occur: (a) distribution of this or any Project Gutenberg-tm
    work, (b) alteration, modification, or additions or deletions to any
    Project Gutenberg-tm work, and (c) any Defect you cause.

    Section  2.  Information about the Mission of Project Gutenberg-tm

    Project Gutenberg-tm is synonymous with the free distribution of
    electronic works in formats readable by the widest variety of computers
    including obsolete, old, middle-aged and new computers.  It exists
    because of the efforts of hundreds of volunteers and donations from
    people in all walks of life.

    Volunteers and financial support to provide volunteers with the
    assistance they need are critical to reaching Project Gutenberg-tm's
    goals and ensuring that the Project Gutenberg-tm collection will
    remain freely available for generations to come.  In 2001, the Project
    Gutenberg Literary Archive Foundation was created to provide a secure
    and permanent future for Project Gutenberg-tm and future generations.
    To learn more about the Project Gutenberg Literary Archive Foundation
    and how your efforts and donations can help, see Sections 3 and 4
    and the Foundation information page at www.gutenberg.org

    Section 3.  Information about the Project Gutenberg Literary Archive
    Foundation

    The Project Gutenberg Literary Archive Foundation is a non profit
    501(c)(3) educational corporation organized under the laws of the
    state of Mississippi and granted tax exempt status by the Internal
    Revenue Service.  The Foundation's EIN or federal tax identification
    number is 64-6221541.  Contributions to the Project Gutenberg
    Literary Archive Foundation are tax deductible to the full extent
    permitted by U.S. federal laws and your state's laws.

    The Foundation's principal office is located at 4557 Melan Dr. S.
    Fairbanks, AK, 99712., but its volunteers and employees are scattered
    throughout numerous locations.  Its business office is located at 809
    North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
    contact links and up to date contact information can be found at the
    Foundation's web site and official page at www.gutenberg.org/contact

    For additional contact information:
         Dr. Gregory B. Newby
         Chief Executive and Director
         gbnewby@pglaf.org

    Section 4.  Information about Donations to the Project Gutenberg
    Literary Archive Foundation

    Project Gutenberg-tm depends upon and cannot survive without wide
    spread public support and donations to carry out its mission of
    increasing the number of public domain and licensed works that can be
    freely distributed in machine readable form accessible by the widest
    array of equipment including outdated equipment.  Many small donations
    ($1 to $5,000) are particularly important to maintaining tax exempt
    status with the IRS.

    The Foundation is committed to complying with the laws regulating
    charities and charitable donations in all 50 states of the United
    States.  Compliance requirements are not uniform and it takes a
    considerable effort, much paperwork and many fees to meet and keep up
    with these requirements.  We do not solicit donations in locations
    where we have not received written confirmation of compliance.  To
    SEND DONATIONS or determine the status of compliance for any
    particular state visit www.gutenberg.org/donate

    While we cannot and do not solicit contributions from states where we
    have not met the solicitation requirements, we know of no prohibition
    against accepting unsolicited donations from donors in such states who
    approach us with offers to donate.

    International donations are gratefully accepted, but we cannot make
    any statements concerning tax treatment of donations received from
    outside the United States.  U.S. laws alone swamp our small staff.

    Please check the Project Gutenberg Web pages for current donation
    methods and addresses.  Donations are accepted in a number of other
    ways including checks, online payments and credit card donations.
    To donate, please visit:  www.gutenberg.org/donate

    Section 5.  General Information About Project Gutenberg-tm electronic
    works.

    Professor Michael S. Hart was the originator of the Project Gutenberg-tm
    concept of a library of electronic works that could be freely shared
    with anyone.  For forty years, he produced and distributed Project
    Gutenberg-tm eBooks with only a loose network of volunteer support.

    Project Gutenberg-tm eBooks are often created from several printed
    editions, all of which are confirmed as Public Domain in the U.S.
    unless a copyright notice is included.  Thus, we do not necessarily
    keep eBooks in compliance with any particular paper edition.

    Most people start at our Web site which has the main PG search facility:

         www.gutenberg.org

    This Web site includes information about Project Gutenberg-tm,
    including how to make donations to the Project Gutenberg Literary
    Archive Foundation, how to help produce our new eBooks, and how to
    subscribe to our email newsletter to hear about new eBooks.